First Flight

In life, we grasp at happiness; glimpse clarity; and often find our inner selves through life's most severe trials. The hope, humanity and imagery that pull us through are paramount to me. These are qualities I try to capture in the life of each sculpture, along with the realisation that these moments change us, claim parts of us, make us and define who and what we are.
George Triggs

First Flight takes the classical form of the cherub and presents him with a contemporary twist as a fledgling of man, poised at the moment before his maiden flight. That first flight is crucial to a bird’s survival, but man cannot fly unaided, and this is central to the tension of this work. If this baby pilot steps off the plinth where he is delicately poised, it will lead to an Icarus-like fall, whereas for a bird this first flight is a rite of passage, without which survival is in doubt. The naked chubby body has been given limited protection – only an aviator’s helmet which adds to a feeling of vulnerability and uncertainty. He is placed in a trance of innocence, crouched and ready to leap, eyes closed, blindly trusting, calmly ready and accepting of his fate. There is a tense dynamism in the very potential for movement: the critical mass of the body supported and grounded, but with the flat-pressed hands suggesting the fatal push that will launch this form into the air, with the posture almost reminiscent of a diver preparing to raise and launch his body into the water. Triggs seems to invite multiple metaphors here: the vulnerability of innocence, the leaps of faith that define our progression through childhood and into adulthood, the tense and precarious nature of innocence before the falls and trips of life… The genius of the work is to suppress all these potentialities within such a simply and calmly posed figure.

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About the Artist

George Triggs was born in 1982 and studied sculpture at Yale College Wrexham, Camberwell College of Arts and The Art Academy London. He works today from his workshop and studio in Shropshire.

Triggs works in the figurative tradition, predominately in bronze but he also uses resins, interactive projection, glass, wax and plaster. He constantly challenges the boundaries of the materials he works with and confronts the traditional figurative format as he explores the human condition.

Triggs was a finalist in the V&A sculpture prize in 2007, shortlisted in the Threadneedle prize in 2009 and won the Founders’ Sculpture Prize in 2013. He was commissioned to create a life-size sculpture of a basketball player for the London Olympics in 2012 which was placed in Bath. In 2018, he received another public commission to create the Ifton Colliery Commemorative Sculpture which stands in the Miners’ Memorial Garden in Ifton. He has exhibited regularly in group and solo shows, including at the Cork Street Gallery and The Willow Gallery, Oswestry. His most recent solo show was at TM Lighting Gallery, London, in 2020.

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